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Posted by / 23-Nov-2017 08:09

Austin texas free sex videocams no credit card

The relation to the commodity is not only visible, but one no longer sees anything but it: the world one sees is its world.

Modern economic production extends its dictatorship extensively and intensively," Guy Debord (1967: #42).

While Marx focused on the factory, the Situationists focused on the city and everyday life, supplementing the Marxian emphasis on class struggle with a project of cultural revolution and the transformation of everyday life.

And whereas the Marxian theory focused on time and history, the Situationists emphasized the production of space and constitution of society.

We interpret the emergence of Guy Debord and the Situationist International as an attempt to update the Marxian theory in the French post-World War Two conjuncture -- a project that was also deeply influenced by French modernist avant garde movements.

Debord and his friends were themselves initially part of a French avant garde artist milieu that was shaped by Dada, surrealism, lettrism, and other attempts to merge art and politics (see Marcus 1989; Plant 1992; and Wollen 1993).

Economics, politics, and everyday life is still permeated with the sort of spectacle that he described in his classical works, and the concept of "spectacle" has almost become normalized, emerging as part and parcel of both theoretical and popular media discourse.

Moreover, Situationist texts are experiencing an interesting afterlife in the proliferation of 'zines and Web sites, some of which embody Situationist practice.

[2] This project would merge art and everyday life in the spirit of the radical avant garde movements and would require a revolution of both art and life.The Society of the Spectacle Revisited "When the real world changes into simple images, simple images become real beings and effective motivations of a hypnotic behavior.The spectacle as a tendency to make one see the world by means of various specialized mediations (it can no longer be grasped directly), naturally finds vision to be the privileged human sense which the sense of touch was for other epochs; the most abstract, the most mystifiable sense corresponds to the generalized abstraction of present day society," Guy Debord (#18).We will first delineate Debord's now classic analysis, indicate how it still is relevant for analyzing contemporary society, and then offer Baudrillard's critique that the concept of spectacle has been superseded by a new regime of simulation in the advent of a new postmodern stage of history.We acknowledge the insights and importance of this Baudrillardian analysis, but argue that simulation and spectacle are interconnected in the current forms of society and culture.

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We then offer an analysis of what we theorize as the new stage of "the interactive spectacle" that provides both new forms of seduction and domination, and new possibilities for resistance and democratization.

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  1. A San Francisco Bay Area man who survived the infamous 1942 Bataan Death March and symbolized the thousands of unheralded Filipinos who fought alongside American forces during World War II has died at age 100.…