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Dammar varnish does yellow and crack, as all varnishes do, but less so than others.
The addition of Dammar in a paint medium adds brilliance and luminosity to color.
This glossary contains a number of recurrent terms found on the present site which may not be clear to all readers, especially when employed within the context of an art discussion.
Some of these terms, signaled by an icon of the Vermeer's monogram and signature, are also discussed as they relate to specifically Vermeer's art.
This means that it does not form a thick layer like normal varnishes, and is therefore used for bringing out the full wet appearance of the oil paint on a dry ground before resuming painting.The darkest parts are all painted with the same semi-transparent dark gray pigment, most likely a mixture of raw umber and black.Here and there on the carpet's fore side we may observe the initial accents of local color.Some of the dead-coloring can be made out here and there through abraded paint layers.It has been remarked that more than one passage in appears unfinished and that this allows us to have a glimpse at Vermeer's underpainting although it is not out of the question that early restoration may be partially responsible for the loss of the uppermost paint layers.
So must also be dress, the setting in which the subject moves, and all the other details of the composition.